Miranda Skoczek ‘Flowers Look Back at Me’

Designed by Skoczek and woven by ATW weaver David Pearce, this intimate tapestry was produced during a short residency at ATW in 2025. A scaled-down translation of the artist’s 2024 oil painting of the same name, the work renders an ornate vase of white flowers suspended against a painterly field of reds and pinks, hinting at curtains and domestic textiles.

For Skoczek, ‘Flowers for Gosia’ is an ode to her late Aunt. The composition intertwines two memories: a bouquet of vibrant dahlias and cosmos received after her passing, and the image of Gosia herself, who permitted only white flowers in her home and garden. The quiet tension between restraint and abundance gently animates the work.

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IMAGE: 'Flowers for Gosia' in progress

Miranda Skoczek has collaborated with Australian jewellery brand Pandora, to create a signature charm collection, featuring in Cosmopolitan.

“Collaborating with Pandora has allowed me to transform my symbolic language and designs into meaningful, wearable jewellery,” Skoczek says. “From my charm edit, in store artwork, packaging and engravable designs, there’s a natural alignment in how we both value storytelling, symbolism and self-expression which has made this partnership so special.”

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Miranda Skoczek modelling her Pandora jewellery collection.

We are delighted to share that Miranda Skoczek has been profiled in Marie Claire Australia. The feature offers a glimpse into her Camberwell apartment, where living space and studio merge to reflect her layered artistic vision.

“I’m a colourist, first and foremost. Colour is my main compositional language,” Skoczek notes, describing the vibrant and expressive world that informs her practice. She adds, “Every object tells a story … my paintings are also very much about places experienced and imagined.”

The article celebrates Skoczek’s distinctive use of colour, her love of collecting, and the intimate connection between her art and her surroundings.

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Marie-Claire article featuring Miranda Skoczek

Miranda Skoczek has been a guest on ABC Radio National, delving into the new direction of her current exhibition at Post Space in Exeter, England. In a vibrant conversation with Kimberly Price, Miranda explains the deeply personal body of work, and her distinctive abstract painting.

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Miranda Skoczek with her exhibition 'Red Ribbons', Post Space, Exeter, courtesy the artist

At the time they both connected over their love for nature and now, roughly 10 years later Miranda has collaborated with Katie [Kolodinski] to curate The Protection Collection. Centred around symbolism and the rituals of self-protection including the iconic Aster flower, central to Katie’s upbringing, this was a harmonious alignment given Miranda’s style of art which is deeply influenced by historical references and ancient cultures.

For Miranda, her art allows people to explore other worlds and she hopes that placing her designs on clothing encourages people to have those conspectus conversations as well.

In line with this creative endeavour, she shared insights on her practices, creating the collection and her relationship with symbolism.

- Silk Laundry

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Courtesy Silk Laundry

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Miranda Skoczek is featured in ‘Artists at Home’ a new book about Australian female artists by Karina Dias Pires, published by Thames and Hudson, out now.

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Miranda Skoczek, courtesy Karina Dias Pires

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There is more to Miranda Skoczek’s paintings than immediately meets the eye. They are built intuitively and in layers, from colours, patterns and objects that she absorbs in her immediate home environment – and all over the world. They are often abstract, sometimes with figurative elements; they focus on paint and colour, process and time, to create a space that takes us somewhere other, outside the material world. Inspiration comes from art and antiquities, folk art and contemporary design – and through obsessive consumption of images. Skoczek describes herself as “a sponge,” confessing to VAULT: “I have 95,000 photographs on my phone.”

The mystical is evident in Skoczek’s hope that her paintings work like amulets for those who acquire them. Protective elements aside, in their sensual textures and influences, so powerfully evoked, these paintings emerge as poignant and poetic visual essays written to the past and the present."\

- Louise Martin-Chew, Vault Magazine

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Front Cover of Vault Magazine, Issue 37, 2022, featuring Miranda Skoczek's Dreaming of Betty (Woodman), 2018

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Copywriter and content specialist Elle McClure was asked by the team at Medium Rare Content agency to help produce content for the autumn 2021 issue of the David Jones magazine, JONES HOME. As well as compiling trend pages and writing copy across the issue, Elle interviewed Otis Hope Carey, Louise Olsen and Miranda Skoczek as part of profiles on the artists.

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'Artefacts', Alison Kubler, Vault Magazine, Issue 23, 104-105pp.

In celebration of Gorman’s decade-long collaboration with visual artists, Heide is presenting a two-week pop-up exhibition in the iconic modernist building, Heide II.

The exhibition will feature garments from a new range by Gorman created in collaboration with ten artists who have worked with the Australian clothing label since 2009, including Miranda Skoczek. The garments will be displayed alongside the artworks which inspired them.

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Miranda Skoczek, Julian Meagher and John Aslanidis are finalists in The Kings School Art Prize 2018.

The King’s Art Prize is a $20,000 acquisitive award presented to the best contemporary artwork created by an artist resident in Australia and represented by a commercial gallery, supporting both the artists and the fine arts industry. Entry is by invitation only and the finalists are selected by an appointed Art Prize panel.

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Miranda Skoczek's exhibition 'Rag Rugs and Lion Heads' is featured on the Art Guide website. Miranda spoke with Louise Martin-Chew about her latest exhibition 'Rag Rugs and Lion Heads', her inspiration and the shift in her practice to looser, more expressive works:

Miranda Skoczek’s abstract paintings evoke old walls with layers of forms and shapes that emerge over time. In her studio, she might work simultaneously on nine canvases. Transferring from one to the other, she allows each oil layer to dry before repeatedly painting over it until jewel-like colours resonate and a spatial sensibility has been established within which the viewer may dwell. Skoczek told Art Guide Australia, “I don’t paint about social concerns. I create wholly immersive, beautiful pictures. They are places for escape and restoration: harmonious, calming pictures.”

- Louise Martin Chew

Miranda's exhibition is at the gallery from 14 November until 5 December 2017.

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Miranda Skoczek was a featured artist in the international group exhibition, The human experience, we are the ones doing works on canvas/Paintings XXXX at the Carlsberg Byens Galleri & Kunstsalon in Denmark. The exhibition was curated by Galina Munroe (Great Britain), Simon Ganshorn (Denmark) and Jordan Kerwick (Australia). The show featured 116 artists each working with abstraction through painting in their own distinct manner to promote diversity and highlight the possibility of medium and painting theory.

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Miranda Skoczek presents her first collection of jewellery works at Pieces of Eight Gallery in Melbourne as part of the Virgin Australia Melbourne Fashion Festival 2017.

In DESHILADO, Miranda pays homage to the samplers created by stitchers in the early 16th Century. The collection is a three dimensional gathering of a myriad of interests and influences remixing materials and techniques, blurring the boundaries between objects, jewellery and art.

With a desire to connect ancient traditions with fashion, while acknowledging the archaeological importance of jewellery as artefact, Skoczek takes the opportunity to bring permanency to ornaments that have up to this point existed as abstract fragments in her paintings.

The exhibition is current until 25 March 2017.

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Miranda Skoczek is featured on The Design Files blog with a look at her move from an inner city two bedroom apartment, to a bucolic retreat set amongst the verdant landscape of the Dandenong Ranges. Miranda and her seven year old son Harper speak about the influence of nature on their lives and the impact a move to the country will have on her painting practice.

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Miranda Skoczek and her son, courtesy Caitlin Mills

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Miranda Skoczek is renowned for her engaging, energetic works and her spectacular use of colour. A fixture on the Australian art scene, her work is instantly recognisable for its layers of intuitive colour, pattern and motifs. Iconic Australian label Country Road thought her work was perfect for a collaboration with charity RedKite. Miranda has designed two tote bags and a t-shirt, with all proceeds from each sale going towards providing essential support to children and their families who are facing cancer.

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Miranda Skoczek in her home, courtesy Country Road

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Miranda Skoczek has collaborated with Gorman Clothing for their 2015 winter collection. In sync with the label’s aesthetic, Miranda’s artwork blends seamlessly into signature Gorman textures and styles. Her work is featured across all 53 pieces in the collection, with every print originating from five of her artworks.

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